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街頭表演 Busking

簡介 Introduction

街頭表演(Busking)指在公眾地方進行表演以娛樂觀眾。街頭表演最初在19世紀歐洲開始,其後蔓延至美國、澳洲及亞洲 (W, 2018)。街頭表演以多種形式進行,包括唱歌、樂器、魔術及繪畫。由於街頭表演大多不受地方限制(例如街道、天橋、商場前的公眾地方等),造成使用公眾地方及噪音滋擾問題 (Simpson, 2011)。不少國家如澳洲、新加坡、英國及日本已對街頭表演者進行規管及發牌。在香港,自2018年8月旺角行人專用區取消後,表演者與行人間的衝突加劇,因而提出對街頭表演的規管,促成「開放舞台」的表演 (香港特別行政區政府新聞公報, 2018)。

Busking (or street performance) refers to the form of entertainment where people perform in public area. Busking started in Europe on the 19th century, and spread throughout America, Australia and Asia (W, 2018). The entertainment can be present in various forms such as singing, playing musical instruments, performing magic and drawing. Since busking can take place anywhere (i.e. streets, footbridge and public areas in front of shopping malls), it raises issues regarding to the usage and noise of public area (Simpson, 2011). Many countries, for example Australia, Singapore, United Kingdom and Japan, have started policies to give guideline and issue license to buskers. In Hong Kong, conflicts between buskers and pedestrian become serious since the abolition of the pedestrian precinct in Mong Kok in August 2018. Voices of reinforcing laws for busking regulation has been raised, and thus the use of “Open Stage” has been started (香港特別行政區政府新聞公報, 2018).

作者/Author: Hoyee Au-Yeung

新聞及政府資訊 News&Government Information

KY. W. (2018, 2018-08-30, December 23). 我們了解Busking?
周峻峯. (2018, 2018-07-12, January 01). 逾200青年觀塘海濱齊「busking」 街頭表演者:限地點表演失原意. 香港01.
羅保熙. (2018, 2018-10-10, January 01). 街頭表演與立法如「水溝油」? 澳學者戳破假象. 香港01.
香港特別行政區政府新聞公報. (2018). 立法會三題:街頭表演的規管和推廣.

影視作品 Movie and TV Series

From Thin Air Pictures. (2014). BUSKER The Movie.
This documentary captured various stories of street performers in order to help urban citizen to think about what buskers may bring to their society.

學術文章 Academic Papers

徐敏雄. (2014). 探究臺北市街頭藝人表演內容與形式:以Street Party Crew為例. Journal of National Taiwan College of Arts, (94), 231–257.
Simpson, P. (2011). Street Performance and the City: Public Space, Sociality, and Intervening in the Everyday. Space and Culture, 14(4), 415–430.
This article examined the performative transformation of street spaces into performance places by considering the practices of street, and discussed the impacts of street performance to everyday life and public space.

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